Choe Ra-yun recorded the analog vitality of an old city with the motif of the detached material from the city cycle as painting.

Since then, she has worked on looking at the city from an ecological perspective, such as ‘ Mullae Bujak ’ using wooden figures and

 ‘ Rice-projects ’ inviting meals. 

Since 2018, art has become a means to heal myself by using various media to bring life and imagination to elements from nature and inanimate objects. In my recent installation, Embrace with an Intruder, I immersed myself in the forest on Jeju Island to find ways to confront the wounds caused by unexpected events.

"Recently, I have been watching the flora and fauna around me and I am paying attetion to their 'pain'. By understanding their 'pain,' I hope to gain insights into today's environmental problems and encourage a greater appreciation for ecological living."  Latest